In the style of Prof. Julius Eduard Braunsdorf, the exhibited, round, baluster-shaped corpus with rounded shoulder, transitioning into a recessed neck with a swinging rim. On both sides of the walls, a colorful arrangement of chrysanthemums or wild rose blossoms, daisies, and asters in soft, polychrome, partly gold- and white-enhanced painting, surrounded by trellis-like gold vines and foliage, also above as a frame for a royal blue, lightly veined background with lattice work. The stand with an encompassing, filigree ornament frieze. Model number 50436. Sword mark. Height 47 cm. Stylistically, this type of flower painting stands in the tradition of Prof. Julius Eduard Braunsdorf (1841-1922), who turned away from the traditional canon of Meissen bouquet painting and developed a characteristic, delicately soft flower painting with free, glazing brushstrokes and a subtle color palette. His influence on subsequent generations of painters was significant. Two vases designed with flower arrangements by J. E. Braunsdorf were presented at the 1862 London World Exhibition. See catalog Bröhan Museum, V/2, p. 29 (form); Jedding, Meissener Porzellan des 19. und 20. Jhs., p. 101, no. 100; Berling, Festschrift, p. 109; Sonntag, Sprache der Blumen, p. 88 ff.; Neuwirth, Porzellanmaler-Lexikon, vol. I, p. 166. A splendid gold-decorated porcelain vase with arrangements of flowers in the manner of Prof. J. E. Braunsdorf. Crossed swords mark. Meissen. After 2000.
